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home·artworks·Listening to grandma's stories
Listening to grandma's stories by Publio de Tommasi

plate no. 2874

Listening to grandma's stories

Publio de Tommasi

watercolorRealismgenre paintingfiguresinteriorchildrengrandmotherkitchenstorytelling
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex interior space and capturing subtle light and shadow to create depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and the interior space.

  2. step 02

    Block in the main shapes and colors of the background, paying attention to the overall tonal values.

  3. step 03

    Begin to define the figures, starting with the largest shapes and gradually adding details.

  4. step 04

    Focus on capturing the light and shadow on the figures to create a sense of depth and volume.

  5. step 05

    Develop the details of the interior, including the textures of the walls, floor, and objects.

  6. step 06

    Refine the colors and values throughout the painting to create a cohesive and harmonious image.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Review and adjust the overall composition and balance of the painting.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with touches of yellow ochre and cadmium red. Use ultramarine blue and white to create the cooler tones in the clothing and shadows.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of color harmony.
  • →Getting lost in the complexity of the scene and losing sight of the overall composition.

materials

surface · watercolor paper 140lb cold press

required

  • ·watercolor paper 140lb cold press
  • ·watercolor paints (burnt umber, raw sienna, ultramarine blue, cadmium red, yellow ochre, titanium white, ivory black)
  • ·round brushes (sizes 2, 4, 6, 8)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·gouache
  • ·watercolor pencils

Use high-quality watercolor paints for best results. Experiment with different brush sizes and techniques to achieve the desired effects.

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watercolor techniques →how to learn by studying the masters →
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