
plate no. 7121
Marie Bashkirtseff, 1880
Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and creating depth with layering. It also offers practice in rendering floral details and creating a moody atmosphere.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the figure and the placement of the lilacs.
Establish the background with broad, loose strokes of dark browns and ochres.
Block in the main shapes of the figure, paying attention to the values of the clothing and skin.
Begin layering the skin tones, using subtle variations of color to create form and depth.
Add details to the face, focusing on the eyes, nose, and mouth.
Paint the lilacs, using a variety of purples and greens to capture their texture and color.
Refine the details of the clothing and background, adding highlights and shadows to create depth.
Add final touches and glazes to unify the painting and enhance the overall mood.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · ultramarine blue · alizarin crimson · cadmium yellow
Achieve skin tones by mixing raw sienna, burnt umber, and titanium white, with small touches of alizarin crimson and ultramarine blue for shadows. Create the lilac colors by mixing ultramarine blue, alizarin crimson, and white, adjusting the proportions to achieve different shades of purple.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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