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home·artworks·Lieutenant Vasily Mirovich at the corpse of John VI Antonovich on July 5, 1764 in the Shlisselburg Fortress
Lieutenant Vasily Mirovich at the corpse of John VI Antonovich on July 5, 1764 in the Shlisselburg Fortress by Ivan Tvorozhnikov

plate no. 8475

Lieutenant Vasily Mirovich at the corpse of John VI Antonovich on July 5, 1764 in the Shlisselburg Fortress

Ivan Tvorozhnikov, 1884

oil, canvasRealismhistory paintingfiguressoldiershistorical eventdeathinteriorweapons
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering complex drapery, and creating a dramatic atmosphere through value and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background and surrounding environment with loose brushstrokes.

  4. step 04

    Refine the figures, paying attention to anatomy, clothing, and facial expressions.

  5. step 05

    Add details to the weapons, clothing, and other elements.

  6. step 06

    Work on the drapery, capturing the folds and highlights.

  7. step 07

    Adjust the lighting and shadows to enhance the drama.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Use burnt umber and ivory black to create dark shadows. Mix raw sienna and titanium white for highlights. Add small amounts of cadmium red and ultramarine blue to create variations in skin tones and clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Getting lost in details too early.
  • →Not establishing a strong value structure.
  • →Overworking the painting and losing the loose brushstrokes.
  • →Incorrect proportions of figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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