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home·artworks·L'Hermitage at Pontoise
L'Hermitage at Pontoise by Camille Pissarro

plate no. 3441

L'Hermitage at Pontoise

Camille Pissarro, 1867

oil, canvasRealismlandscapebuildingslandscapetreesfiguresskyvillage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create realistic landscapes. It also provides practice in depicting architectural forms and figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Block in the large shapes of color for the sky, hills, and buildings using thin washes.

  3. step 03

    Establish the basic values and color temperatures of the landscape, paying attention to light and shadow.

  4. step 04

    Begin adding details to the buildings, such as windows, doors, and roof tiles.

  5. step 05

    Develop the foliage of the trees and bushes, using a variety of greens and yellows.

  6. step 06

    Add the figures in the foreground, paying attention to their proportions and clothing.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix greens by combining blues and yellows, and use white to lighten colors and create atmospheric perspective. Achieve the warm tones of the buildings by mixing yellow ochre, burnt umber, and a touch of red.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using too much detail in the background, which can flatten the perspective.
  • →Not paying attention to color temperature changes in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, sap green, cadmium yellow, raw sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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