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home·artworks·Leningrad
Leningrad by Vladimir Tatlin

plate no. 1856

Leningrad

Vladimir Tatlin, 1936

oil, woodRealismcityscapecityscapebuildingsstreetreflectionsskyarchitecture
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes and values. It also provides practice in capturing reflections and using visible brushstrokes to create texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the large areas of color, starting with the sky and then the buildings.

  3. step 03

    Establish the darkest darks and lightest lights to create a value structure.

  4. step 04

    Begin adding details to the buildings, focusing on the windows and architectural features.

  5. step 05

    Paint the reflections in the street, using broken brushstrokes to suggest movement.

  6. step 06

    Add texture to the foreground using thicker paint and visible brushstrokes.

  7. step 07

    Refine the details and adjust the values as needed.

  8. step 08

    Add final highlights to the buildings and reflections.

color palette

primary · ivory black · titanium white · raw umber

secondary · cadmium red light · viridian · yellow ochre

Mix various shades of gray by combining black and white, and add small amounts of other colors to create subtle variations. Use yellow ochre and white for the lighter building facades, and red and umber for the darker ones. Mix viridian with black and white for the green details.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Ignoring the value structure
  • →Using too much detail in the background
  • →Not capturing the atmospheric perspective
  • →Making the reflections too literal

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (flat and round)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to create a cohesive and harmonious painting. Consider using a toned canvas to establish a mid-tone value.

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oil painting for beginners →how to learn by studying the masters →
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