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Leith streets by Telemaco Signorini

plate no. 1911

Leith streets

Telemaco Signorini, 1881

oilRealismcityscapecityscapebuildingsfiguresstreetadvertisement
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the texture of aged buildings using layering and dry brush techniques. It also provides practice in rendering figures within a complex urban environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and street, paying attention to perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main colors of the buildings, sky, and street, focusing on local color.

  4. step 04

    Begin layering colors to create depth and texture in the buildings, using dry brush techniques.

  5. step 05

    Add details to the signage and architectural elements.

  6. step 06

    Paint the figures, simplifying their forms and focusing on their interaction with the environment.

  7. step 07

    Refine the highlights and shadows to create a sense of light and atmosphere.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing complementary colors and using white to adjust values. Create the aged building color by layering browns, grays, and touches of red and yellow.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Getting lost in the details too early.
  • →Overworking the colors and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for better texture. Consider using a toned canvas to speed up the initial stages.

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oil painting for beginners →how to learn by studying the masters →
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