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home·artworks·Leaving the Sheep Pen
Leaving the Sheep Pen by Charles Jacque

plate no. 9774

Leaving the Sheep Pen

Charles Jacque, 1889

oilRealismgenre paintingsheepshepherdessdogbarnanimalsrural scene
some experience helpful

Recreating this painting will help students develop skills in depicting form with loose brushstrokes and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the texture of wool and weathered building materials.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the shepherdess, sheep, dog, and barn door.

  2. step 02

    Block in the main shapes with thin washes of color, establishing the overall value structure.

  3. step 03

    Begin building up the forms of the sheep with short, textured brushstrokes, varying the color slightly to suggest individual animals.

  4. step 04

    Add details to the shepherdess, focusing on the folds of her clothing and the highlights on her face.

  5. step 05

    Define the barn door and surrounding wall, using thicker paint and more visible brushstrokes to create a sense of texture.

  6. step 06

    Paint the dog, paying attention to its form and the direction of the light.

  7. step 07

    Add final details, such as the lantern and the debris on the ground.

  8. step 08

    Glaze with thin washes to unify the painting and adjust the values as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Achieve the muted tones by mixing the primary colors with small amounts of the secondary colors. Use white to lighten the values and create highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to establish a strong value structure, resulting in a flat and uninteresting painting.
  • →Making the sheep look too uniform and lacking individual character.
  • →Using colors that are too bright and saturated, which will detract from the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

A canvas with a medium texture will be ideal for capturing the brushwork.

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oil painting for beginners →how to learn by studying the masters →
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