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home·artworks·Learning to read
Learning to read by Jules Trayer

plate no. 4746

Learning to read

Jules Trayer

oil, panelRealismgenre paintingfiguresinteriortablechairreadingmother and child
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a realistic style and understanding how to create a sense of depth in an interior scene. It also provides practice in capturing subtle variations in skin tones and fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Establish the background with thin washes of color, paying attention to the light and shadow.

  3. step 03

    Block in the main shapes of the figures, using simplified color masses.

  4. step 04

    Start refining the details of the faces, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the clothing and fabric textures, using a variety of brushstrokes.

  6. step 06

    Add details to the table, chair, and other objects in the scene.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt umber to create dark shadows and neutral tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ivory black, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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