apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Le Prévôt Des Marchands Et Les Échevins De La Ville De Paris
Le Prévôt Des Marchands Et Les Échevins De La Ville De Paris by Georges Lallemand

plate no. 1781

Le Prévôt Des Marchands Et Les Échevins De La Ville De Paris

Georges Lallemand, 1611

oilBaroquehistory paintingfiguresrobescolumnsstatuesinteriorreligious
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabrics, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the background elements, paying attention to the atmospheric perspective and subtle color variations.

  4. step 04

    Begin refining the figures, focusing on accurate proportions and facial features.

  5. step 05

    Add details to the robes and other fabrics, using highlights and shadows to create a sense of volume.

  6. step 06

    Work on the hands and facial expressions to convey the character of each figure.

  7. step 07

    Add the final details, such as the book and the architectural ornaments.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · red ochre · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Achieve the robe colors by mixing red ochre with varying amounts of ivory black and titanium white. Create depth in the shadows by adding raw umber. Use yellow ochre to create highlights.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Flat or lifeless rendering of fabrics
  • →Lack of depth in the background
  • →Overworking details before establishing the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne