apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Le Bal masqué, La Comédie Italienne
Le Bal masqué, La Comédie Italienne by Jean Metzinger

plate no. 0313

Le Bal masqué, La Comédie Italienne

Jean Metzinger, 1924

oilNeoclassicismgenre paintingfiguresgardenarchitecturemasquerademusical instrument
some experience helpful

Recreating this painting will help students understand tonal values and how to create a sense of depth through careful shading. It also provides practice in rendering figures in various poses and clothing.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the darkest and lightest areas to create a value map.

  3. step 03

    Begin to fill in the large shapes with mid-tones, paying attention to the direction of light.

  4. step 04

    Refine the shapes of the figures and clothing, adding details such as folds and facial features.

  5. step 05

    Add subtle variations in tone to create a sense of depth and volume.

  6. step 06

    Pay close attention to the edges of the forms, softening some and sharpening others to create visual interest.

  7. step 07

    Add the final details, such as the patterns on the clothing and the textures of the foliage.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · gray · white · black

secondary · ivory · charcoal

Achieve the various shades of gray by mixing black and white in different proportions. Add small amounts of ivory to warm up the grays.

techniques

  • ·tonal shading
  • ·figure drawing
  • ·atmospheric perspective
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the proportions of the figures.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Graphite pencils
  • ·White acrylic or oil paint
  • ·Black acrylic or oil paint
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Odorless mineral spirits or water (depending on paint type)

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use a smooth canvas for easier blending. Consider using a toned canvas to establish a mid-tone from the start.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs