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home·artworks·Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire by Marie-Gabrielle Capet

plate no. 5484

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet, 1801

oilNeoclassicismportraitportraitfiguresculpturebusthammerclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and sculpture.

  2. step 02

    Establish the background with a thin wash of muted colors.

  3. step 03

    Block in the main shapes of the figure, sculpture, and clothing with broad strokes.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the clothing and sculpture, adding texture and form.

  6. step 06

    Refine the background, adding subtle variations in color and tone.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and details.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Mix various shades of brown and red by combining burnt umber, cadmium red, and white. Use yellow ochre to add warmth to the skin tones. Achieve the background by mixing ivory black with white and a touch of burnt umber.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Burnt umber oil paint
  • ·Titanium white oil paint
  • ·Cadmium red oil paint
  • ·Yellow ochre oil paint
  • ·Ivory black oil paint
  • ·Round brushes (various sizes)
  • ·Palette

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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