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Self-Portrait by Anton Raphael Mengs

plate no. 2587

Self-Portrait

Anton Raphael Mengs, 1779

oil, woodNeoclassicismself-portraitportraitfiguremanclothinghairself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as practice blending and layering techniques to create realistic skin tones and fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background with a thin wash of dark, neutral color.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and scarf, focusing on accurate values.

  4. step 04

    Begin layering and blending the skin tones, paying close attention to the subtle variations in color and value.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture and form.

  6. step 06

    Refine the clothing and scarf, adding highlights and shadows to create depth and dimension.

  7. step 07

    Add final details to the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Achieve the reddish-brown of the coat by mixing red and umber. Use black and umber for the dark areas of the hair and clothing.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value study
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering and blending.

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