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home·artworks·The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina. by Giovanni Battista Piranesi

plate no. 5980

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi, 1756

etchingNeoclassicismcityscapearchitecturecolumnsruinsfigurescityscapesky
experienced study

Recreating this etching will develop skills in linear perspective, cross-hatching, and creating depth through line weight and density. Students will also learn to depict architectural details and textures using only black and white.

technical profile

palette complexity
1
brushwork visibility
5
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the perspective and placement of the architectural elements.

  2. step 02

    Establish the darkest areas of the image, such as shadows and deep crevices, using closely spaced lines.

  3. step 03

    Use cross-hatching to build up mid-tones and create a sense of volume and form.

  4. step 04

    Vary the line weight and spacing to create different textures, such as the rough surface of the stone and the smooth columns.

  5. step 05

    Pay close attention to the details of the architectural ornaments and decorations.

  6. step 06

    Add the figures and other small details to create a sense of scale and context.

  7. step 07

    Refine the linework and add any necessary corrections or adjustments.

  8. step 08

    Add final details and highlights.

color palette

primary · black · white

secondary ·

This is a monochrome image, so mixing is not applicable. Focus on achieving different shades of gray through line density and cross-hatching.

techniques

  • ·cross-hatching
  • ·linear perspective
  • ·line weight variation
  • ·stippling
  • ·rendering textures

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Creating muddy or undefined shadows.
  • →Overworking the linework and losing the sense of spontaneity.
  • →Ignoring the details of the architectural ornaments.

materials

surface · Smooth white paper

required

  • ·Smooth white paper
  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Ruler
  • ·Fine-tipped drawing pens (various sizes)
  • ·Tracing paper

optional

  • ·Magnifying glass
  • ·Drafting compass
  • ·Ink
  • ·Quill

Use high-quality paper that can withstand multiple layers of linework. Experiment with different pen sizes to achieve a variety of line weights.

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