apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Schmadribach Falls
The Schmadribach Falls by Joseph Anton Koch

plate no. 1190

The Schmadribach Falls

Joseph Anton Koch, 1822

oil, canvasNeoclassicismlandscapemountainswaterfallstreesriverfigurerocks
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, layering, and creating depth through value and color variations. It also provides practice in rendering complex natural forms like trees, rocks, and water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, waterfall, trees, and river.

  2. step 02

    Establish the sky and mountain ranges with broad washes of color, paying attention to atmospheric perspective.

  3. step 03

    Begin layering in the distant mountains and waterfalls, gradually increasing detail as you move forward.

  4. step 04

    Block in the dark masses of the trees, creating variations in value and color to suggest depth and form.

  5. step 05

    Add details to the foreground rocks and river, using a variety of brushstrokes to create texture and movement.

  6. step 06

    Paint the figure and animals, keeping them small and in proportion to the landscape.

  7. step 07

    Refine the details of the waterfalls, adding highlights and shadows to create a sense of movement and volume.

  8. step 08

    Add final details and glazes to unify the painting and enhance the overall atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · raw sienna

Mix various shades of green by combining yellow ochre, ultramarine blue, and burnt umber. Achieve the misty atmosphere by diluting colors with medium and layering thin glazes.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →overworking details in the distant mountains
  • →creating flat, lifeless trees
  • →failing to establish a clear sense of depth
  • →inconsistent lighting

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 filbert brush
  • ·#8 flat brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs

Chess Game

Chess Game

Johann Erdmann Hummel