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home·artworks·Laura at Seven
Laura at Seven by Carolus-Duran

plate no. 6380

Laura at Seven

Carolus-Duran, 1887

oilRealismportraitportraitgirlhathairclothingfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused lighting. It also provides practice in creating texture with visible brushstrokes and mixing subtle color variations for skin tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Block in the main areas of color: skin tones, hair, hat, clothing, and background.

  4. step 04

    Refine the skin tones by layering subtle color variations and soft blending.

  5. step 05

    Add details to the hair, using varied brushstrokes to create texture and volume.

  6. step 06

    Define the features of the face, paying attention to the light and shadow.

  7. step 07

    Develop the details of the clothing and hat, using thicker paint and more visible brushstrokes.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · raw sienna

Mix skin tones by blending white, red, umber, and a touch of yellow ochre. Achieve the darks of the hat by mixing black and umber. Use white and a touch of umber for the dress.

techniques

  • ·portrait painting
  • ·alla prima
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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