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home·artworks·Last Supper
Last Supper by Nikolai Ge

plate no. 7240

Last Supper

Nikolai Ge, 1863

oil, canvasRealismreligious paintingfigurestableroomreligious scenelightshadow
experienced study

Recreating this painting will help students understand how to use chiaroscuro to create dramatic lighting and how to depict figures in a dimly lit environment. It also provides practice in rendering textures and folds in fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark underpainting (burnt umber or similar).

  2. step 02

    Sketch the basic composition, focusing on the placement of the figures and the table.

  3. step 03

    Establish the main light source and block in the areas of light and shadow with broad strokes.

  4. step 04

    Begin refining the figures, starting with the faces and hands, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the table, including the objects on it and the texture of the cloth.

  6. step 06

    Work on the background, keeping it dark and indistinct to emphasize the figures in the foreground.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the shadows.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre

Mix burnt umber and ivory black for the dark areas. Use raw sienna and titanium white for the highlights. Add small amounts of cadmium red and yellow ochre to warm up the skin tones and fabrics.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·tonal painting

common pitfalls

  • →Failing to establish a strong light source.
  • →Overworking the details too early in the process.
  • →Making the dark areas too flat and lifeless.
  • →Losing the overall tonal harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

A canvas with a smooth surface is recommended for easier blending. Use a medium-sized canvas (e.g., 16x20 inches) to allow for sufficient detail.

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oil painting for beginners →how to learn by studying the masters →
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