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home·artworks·Last Supper
Last Supper by Ilya Repin

plate no. 6561

Last Supper

Ilya Repin, 1903

oil, canvasRealismreligious paintingfigurestablecandlesarchitecturereligious sceneinterior
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex scene, as well as understanding atmospheric perspective and creating a sense of depth through value and color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Block in the main colors of the figures, table, and background, using a limited palette.

  4. step 04

    Develop the details of the figures, focusing on the faces and hands.

  5. step 05

    Add the highlights and shadows to create form and depth.

  6. step 06

    Refine the details of the table setting and the background.

  7. step 07

    Create the atmospheric effect by softening edges and adding glazes of color.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · titanium white · yellow ochre · ivory black

secondary · cadmium red · viridian green

Use burnt umber and white to create a range of neutral tones. Mix yellow ochre and white for the highlights on the figures. Use viridian green and burnt umber for the darker areas of the background.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting.
  • →Not creating a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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