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home·artworks·L'assomption De La Vierge
L'assomption De La Vierge by Charles Le Brun

plate no. 1512

L'assomption De La Vierge

Charles Le Brun

oilBaroquereligious paintingfiguresangelsskycloudsdraperyreligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in mixing subtle skin tones and achieving soft, blended edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Block in the background with a warm, golden tone, establishing the overall light.

  3. step 03

    Establish the main figure's drapery with broad strokes of blue and white, paying attention to folds and shadows.

  4. step 04

    Begin to develop the figures, starting with the central figure and working outwards.

  5. step 05

    Carefully mix and apply skin tones, using subtle variations to create depth and form.

  6. step 06

    Add details to the angels' wings and hair, using smaller brushes and finer strokes.

  7. step 07

    Refine the drapery folds and shadows, adding highlights to create a sense of volume.

  8. step 08

    Blend the edges of the figures and clouds to create a soft, ethereal atmosphere.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium red light · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and blue for shadows. Create the golden background by mixing yellow ochre, white, and a touch of burnt sienna.

techniques

  • ·figure drawing
  • ·drapery study
  • ·atmospheric perspective
  • ·glazing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, resulting in a harsh or unnatural look.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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