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home·artworks·Landscape with watermill
Landscape with watermill by Jacob van Ruisdael

plate no. 2147

Landscape with watermill

Jacob van Ruisdael

oilBaroquelandscapewatermilltreeswaterfigureslandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural scenes, and rendering textures of foliage and water. It also provides practice in creating a balanced composition with multiple points of interest.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the watermill, the trees, the path, and the figures.

  2. step 02

    Establish the sky with broad strokes, blending light blues and whites to create soft clouds.

  3. step 03

    Block in the general colors for the water, trees, and ground, focusing on value relationships.

  4. step 04

    Develop the watermill, paying attention to the details of its structure and the reflections in the water.

  5. step 05

    Refine the foliage of the trees, using layers of greens, browns, and yellows to create depth and texture.

  6. step 06

    Add details to the figures, suggesting their forms with simple shapes and values.

  7. step 07

    Work on the path and the foreground elements, adding texture and details to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall contrast and realism.

color palette

primary · sap green · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted greens by mixing sap green with raw umber and white. Use burnt sienna and raw umber to create earthy browns for the ground and trees. Mix blues and whites with a touch of grey for the sky.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (sap green, raw umber, titanium white, cerulean blue, yellow ochre, burnt sienna, ivory black)
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gel
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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