apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with swamp
Landscape with swamp by Volodymyr Orlovsky

plate no. 1947

Landscape with swamp

Volodymyr Orlovsky

oilRealismlandscapetreeswaterskyboatlandscapereeds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in creating depth and texture in foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line and the main elements (trees, water, boat).

  2. step 02

    Block in the sky with light blues and grays, creating soft cloud formations.

  3. step 03

    Establish the basic shapes and values of the trees, using darker greens and browns for the shadows and lighter greens for the highlights.

  4. step 04

    Paint the water, capturing the reflections of the sky and trees. Use horizontal brushstrokes to suggest the flatness of the water surface.

  5. step 05

    Add details to the reeds and grasses along the water's edge, using a variety of greens and browns.

  6. step 06

    Paint the boat and figures, paying attention to their placement and scale within the landscape.

  7. step 07

    Refine the details of the trees, adding individual leaves and branches to create texture and depth.

  8. step 08

    Add final touches, such as highlights on the water and subtle variations in the sky, to create a sense of atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix greens by combining blues and yellows, and adjust the value and intensity by adding white or umber. Use white to lighten blues for the sky and create atmospheric perspective.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the importance of value contrast in creating form.
  • →Making the reflections too literal and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, sap green)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy