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home·artworks·Landscape with Stag Hunt
Landscape with Stag Hunt by Paul Bril

plate no. 6089

Landscape with Stag Hunt

Paul Bril, 1595

oilBaroquelandscapelandscapetreesskyfiguresanimalsarchitecture
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of tones. It will also provide practice in rendering complex foliage and figures in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and architectural elements.

  2. step 02

    Establish the dark and light areas with a thin wash of color, paying attention to the overall value structure.

  3. step 03

    Begin layering in the sky, blending the blues and grays to create a sense of depth and atmosphere.

  4. step 04

    Develop the foliage of the trees, using a variety of greens, browns, and yellows to create texture and form.

  5. step 05

    Add details to the figures and animals, paying attention to their anatomy and proportions.

  6. step 06

    Refine the architectural elements, adding details to the buildings and cliffs.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium yellow · raw sienna

Mix various shades of green by combining blue and yellow. Use burnt umber and white to create a range of browns and grays for the shadows and darker areas. Add small amounts of yellow ochre to the greens and browns to create a warm, earthy tone.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using too much detail in the background, which can distract from the focal point.
  • →Not paying attention to the overall value structure, which can result in a muddy or flat painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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