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home·artworks·Landscape with St. Jerome and rocky crag
Landscape with St. Jerome and rocky crag by Paul Bril

plate no. 1235

Landscape with St. Jerome and rocky crag

Paul Bril, 1592

oilBaroquelandscapelandscaperocksfiguremountainstreesbridge
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It will also improve their understanding of color mixing to achieve realistic landscape tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements like the rocks, mountains, and figure.

  2. step 02

    Establish the underpainting with a thin wash of burnt umber to define the light and shadow areas.

  3. step 03

    Begin layering the dark areas of the rocks and trees, gradually adding highlights.

  4. step 04

    Paint the distant mountains and sky, using lighter and cooler colors to create atmospheric perspective.

  5. step 05

    Add details to the figure and other foreground elements, paying attention to the light and shadow.

  6. step 06

    Refine the colors and values throughout the painting, blending and glazing as needed.

  7. step 07

    Add final details such as small figures, animals, and foliage.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · yellow ochre · Prussian blue · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix greens by combining Prussian blue and yellow ochre. Create atmospheric perspective by adding white to the blues and greens for distant elements. Use burnt umber and yellow ochre for the warm tones of the rocks.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details in the background
  • →Failing to create a sense of depth
  • →Using colors that are too saturated
  • →Ignoring the light and shadow patterns

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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