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home·artworks·Landscape with Resting Travellers and Oxcart
Landscape with Resting Travellers and Oxcart by Jan Dirksz Both

plate no. 7007

Landscape with Resting Travellers and Oxcart

Jan Dirksz Both, 1645

oil, canvasBaroquelandscapelandscapetreesfiguresmountainsskyoxcart
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage. It also offers practice in painting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and figures.

  2. step 02

    Establish the sky with light blues and grays, blending softly.

  3. step 03

    Block in the distant mountains with muted greens and browns, using lighter values to create atmospheric perspective.

  4. step 04

    Paint the larger trees, focusing on the overall shapes and values before adding details.

  5. step 05

    Add the figures and oxcart, paying attention to their proportions and placement within the scene.

  6. step 06

    Develop the foreground details, including the rocks, plants, and path.

  7. step 07

    Refine the foliage, adding highlights and shadows to create depth and texture.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · raw sienna · cadmium yellow light · ivory black · vermilion

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue or gray.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of atmospheric perspective.
  • →Making the colors too saturated, especially in the distance.
  • →Neglecting the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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