
plate no. 7007
Jan Dirksz Both, 1645
Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage. It also offers practice in painting figures within a landscape setting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the mountains, trees, and figures.
Establish the sky with light blues and grays, blending softly.
Block in the distant mountains with muted greens and browns, using lighter values to create atmospheric perspective.
Paint the larger trees, focusing on the overall shapes and values before adding details.
Add the figures and oxcart, paying attention to their proportions and placement within the scene.
Develop the foreground details, including the rocks, plants, and path.
Refine the foliage, adding highlights and shadows to create depth and texture.
Add final details and adjust values as needed to create a cohesive and balanced composition.
color palette
primary · yellow ochre · burnt umber · ultramarine blue · titanium white
secondary · raw sienna · cadmium yellow light · ivory black · vermilion
Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue or gray.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the overall color harmony.
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