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home·artworks·Landscape with Rainbow, Henley on Thames
Landscape with Rainbow, Henley on Thames by Jan Siberechts

plate no. 1520

Landscape with Rainbow, Henley on Thames

Jan Siberechts, 1690

oil, canvasBaroquelandscapelandscaperainbowvillagehillscowstrees
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex landscapes with subtle color variations. It also provides practice in depicting realistic lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the hills, village, and foreground elements.

  2. step 02

    Establish the sky and cloud formations with broad, blended strokes, paying attention to the light source.

  3. step 03

    Block in the distant hills and fields, using lighter and cooler colors to create atmospheric perspective.

  4. step 04

    Define the village buildings with more detail, focusing on their shapes and relationships to each other.

  5. step 05

    Add the foreground elements, such as the trees, cows, and foliage, with increasing detail and darker values.

  6. step 06

    Paint the rainbow using thin, translucent layers of color, blending them softly into the sky.

  7. step 07

    Refine the details and add highlights to create a sense of realism and depth.

  8. step 08

    Glaze the entire painting with thin layers of transparent color to unify the composition and enhance the colors.

color palette

primary · raw umber · yellow ochre · titanium white · Prussian blue

secondary · cadmium yellow · burnt sienna · alizarin crimson

Achieve the muted greens by mixing yellow ochre and Prussian blue, and adjust the values with white or raw umber. Create the rainbow colors by layering transparent glazes of cadmium yellow, alizarin crimson, and Prussian blue.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Failing to create a sense of depth
  • →Using colors that are too saturated
  • →Ignoring the subtle value changes in the landscape

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for the best results. A medium-grit canvas will provide a good surface for layering and blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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