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home·artworks·Landscape with Polyphemus
Landscape with Polyphemus by Nicolas Poussin

plate no. 3651

Landscape with Polyphemus

Nicolas Poussin, 1649

oil, canvasClassicismlandscapelandscapemountainstreesfiguresskymythology
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering complex foliage and figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and figures.

  2. step 02

    Establish the sky with light blues and whites, blending for soft clouds.

  3. step 03

    Block in the distant mountains with muted greens and browns, using lighter values for atmospheric perspective.

  4. step 04

    Paint the large tree on the right, layering different shades of green to create depth and texture.

  5. step 05

    Add the mid-ground foliage and figures, paying attention to their relative sizes and positions.

  6. step 06

    Define the foreground details, including the figures, foliage, and pottery, with darker values and sharper edges.

  7. step 07

    Refine the lighting and shadows throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final details such as highlights on the foliage and figures.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Use white to lighten values and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·layering
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Failing to create a sense of depth through atmospheric perspective.
  • →Overworking the details and losing the overall harmony of the composition.
  • →Using colors that are too bright or saturated, resulting in an unnatural look.
  • →Not paying enough attention to the relative sizes and positions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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