apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with Horsemen near Amersfoort
Landscape with Horsemen near Amersfoort by Salomon van Ruysdael

plate no. 1405

Landscape with Horsemen near Amersfoort

Salomon van Ruysdael

oilBaroquelandscapelandscapetreesskyfigureshorsemenarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth using value and color changes. It also provides practice in rendering foliage and figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main tree and the distant architecture.

  2. step 02

    Establish the sky with broad, blended strokes, creating subtle variations in tone to suggest clouds.

  3. step 03

    Block in the distant landscape with muted greens and blues, paying attention to atmospheric perspective.

  4. step 04

    Paint the foreground hills with earth tones, creating shadows and highlights to define the form.

  5. step 05

    Add the large tree on the left, focusing on the structure of the branches and the play of light and shadow on the foliage.

  6. step 06

    Paint the figures and horses, simplifying the details and focusing on their silhouettes.

  7. step 07

    Add details to the distant architecture, keeping it subtle and in proportion to the overall landscape.

  8. step 08

    Refine the overall painting, adjusting values and colors to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix muted greens by combining Prussian blue, yellow ochre, and a touch of raw umber. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking details in the distant landscape.
  • →Creating too much contrast in the foreground.
  • →Ignoring the principles of atmospheric perspective.
  • →Making the figures too detailed and distracting.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for a slightly textured surface. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne