
plate no. 8596
Jan van Goyen, 1628
Recreating this painting will help students develop skills in atmospheric perspective and limited palette color mixing. Students will also practice rendering form with subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic composition, focusing on the horizon line and the placement of the hill and buildings.
Establish the overall value structure with a thin wash of diluted burnt umber or raw umber.
Begin blocking in the sky, using a range of grays created by mixing white, black, and a touch of umber.
Work on the hill, building up layers of color and texture to create the illusion of form and depth.
Add the figures on the hill, paying attention to their relative sizes and positions.
Paint the buildings and trees in the distance, using lighter values and less detail to create atmospheric perspective.
Refine the details and add highlights to create a sense of light and shadow.
Add final details like the birds in the sky.
color palette
primary · titanium white · ivory black · raw umber
secondary · burnt umber · yellow ochre
Achieve the various grays by mixing white and black in different proportions. Add small amounts of umber or ochre to warm or cool the grays as needed.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the underpainting process.
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