apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with City on a River
Landscape with City on a River by Hercules Seghers

plate no. 6901

Landscape with City on a River

Hercules Seghers, 1629

oil, oakBaroquelandscapelandscapecityscapeskybuildingswindmillfields
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle value and color changes. It also provides practice in rendering distant details and creating a unified color harmony.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm, neutral ground.

  2. step 02

    Lightly sketch the horizon line and major compositional elements (city, windmill, foreground hills).

  3. step 03

    Block in the sky with a thin wash of muted oranges and grays, blending the colors softly.

  4. step 04

    Establish the distant landscape with light, desaturated greens and browns, using thin washes.

  5. step 05

    Gradually build up the foreground hills with darker browns and greens, adding more texture.

  6. step 06

    Paint the city and windmill with simplified shapes, focusing on their silhouettes and relative scale.

  7. step 07

    Add subtle details to the foreground, such as small bushes and pathways.

  8. step 08

    Glaze the entire painting with a thin layer of transparent brown to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · Prussian blue

The key to this painting is mixing muted, earthy tones. Use raw umber and burnt sienna as your base, and add small amounts of white, yellow ochre, or Prussian blue to create subtle variations in color and value. The sky is achieved by mixing oranges with grays.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·tonal painting

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Creating too much contrast between the foreground and background.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of atmosphere by not blending the colors sufficiently.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, burnt sienna, titanium white, yellow ochre, Prussian blue)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A canvas with a fine weave is recommended for achieving smooth blends. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne