
plate no. 7204
Adam Elsheimer, 1605
Recreating this painting will help students develop skills in glazing, creating atmospheric perspective, and rendering the human form in a naturalistic setting. It also provides practice in working with a limited palette to create a range of values and hues.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures, mountain, and trees.
Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.
Begin layering in the sky with thin glazes of blue, white, and ochre, blending the colors softly.
Work on the mountain, building up the form with layers of brown, ochre, and white, using dry brush techniques to create texture.
Paint the trees and foliage, using a variety of greens and browns to create depth and variation.
Carefully render the figures, paying attention to anatomy and light.
Add the final details, such as the birds and the red cloth, to complete the composition.
Glaze the entire painting with a thin layer of medium to unify the colors and add depth.
color palette
primary · burnt umber · titanium white · ultramarine blue
secondary · yellow ochre · cadmium red
Achieve the various greens by mixing ultramarine blue and yellow ochre. Use burnt umber and white to create a range of browns and grays for the landscape. Mix cadmium red and white for the red cloth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface is recommended for glazing.
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