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home·artworks·Landscape with bathing nymph
Landscape with bathing nymph by Adam Elsheimer

plate no. 7204

Landscape with bathing nymph

Adam Elsheimer, 1605

oilBaroquemythological paintinglandscapenymphtreesmountainskyfigures
experienced study

Recreating this painting will help students develop skills in glazing, creating atmospheric perspective, and rendering the human form in a naturalistic setting. It also provides practice in working with a limited palette to create a range of values and hues.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, mountain, and trees.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Begin layering in the sky with thin glazes of blue, white, and ochre, blending the colors softly.

  4. step 04

    Work on the mountain, building up the form with layers of brown, ochre, and white, using dry brush techniques to create texture.

  5. step 05

    Paint the trees and foliage, using a variety of greens and browns to create depth and variation.

  6. step 06

    Carefully render the figures, paying attention to anatomy and light.

  7. step 07

    Add the final details, such as the birds and the red cloth, to complete the composition.

  8. step 08

    Glaze the entire painting with a thin layer of medium to unify the colors and add depth.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red

Achieve the various greens by mixing ultramarine blue and yellow ochre. Use burnt umber and white to create a range of browns and grays for the landscape. Mix cadmium red and white for the red cloth.

techniques

  • ·glazing
  • ·dry brush
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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