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home·artworks·Landscape with Armed Men
Landscape with Armed Men by Hercules Seghers

plate no. 7709

Landscape with Armed Men

Hercules Seghers, 1635

oil, canvasBaroquelandscapelandscapefiguresbuildingstreesskyhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also practice rendering foliage and architectural details with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line and major elements.

  2. step 02

    Establish the sky with a thin wash of blue and white, blending smoothly.

  3. step 03

    Block in the distant landscape with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the middle ground, including the buildings and trees, with slightly more saturated colors and details.

  5. step 05

    Add the foreground foliage and figures, using darker values and sharper details to create contrast.

  6. step 06

    Refine the details of the buildings and figures, paying attention to light and shadow.

  7. step 07

    Add highlights to the foliage and buildings to create a sense of depth and dimension.

  8. step 08

    Glaze over the painting with thin layers of color to unify the composition and create atmospheric effects.

color palette

primary · ultramarine blue · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Mix muted greens by combining raw umber, yellow ochre, and ultramarine blue. Create atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Using colors that are too saturated for the atmospheric perspective.
  • →Failing to create enough contrast between the foreground and background.
  • →Not blending the sky smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes
  • ·palette knife
  • ·palette

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas to allow for layering and blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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