apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Landscape with Apollo and Mercury
Landscape with Apollo and Mercury by Claude Lorrain

plate no. 5139

Landscape with Apollo and Mercury

Claude Lorrain, 1660

oilClassicismmythological paintinglandscapetreesmountainsfiguresanimalssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering foliage and distant landscapes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, major landforms, and the figures.

  2. step 02

    Establish the sky with a light blue wash, blending towards the horizon.

  3. step 03

    Block in the distant mountains and lake using diluted blues and grays to create atmospheric perspective.

  4. step 04

    Begin layering the midground trees and foliage, gradually increasing detail and value contrast as you move forward.

  5. step 05

    Paint the foreground elements, including the figures, animals, and ground details, with more defined brushstrokes.

  6. step 06

    Add highlights to the trees and rocks to create a sense of light and shadow.

  7. step 07

    Refine the details of the figures and animals, paying attention to their proportions and anatomy.

  8. step 08

    Glaze over the entire painting with thin layers of color to unify the composition and enhance the atmospheric effects.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · raw sienna · ivory black

Mix blues with white to create the sky and distant mountains. Use burnt umber and yellow ochre for the trees and rocks, adjusting the values with white and black. Create greens by mixing blues and yellows.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →overworking details in the background
  • →creating too much contrast in the distant elements
  • →using colors that are too saturated
  • →ignoring the importance of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Landscape with Shepherds  - The Pont Molle

Landscape with Shepherds - The Pont Molle

Claude Lorrain

Presentation of Christ in the Temple

Presentation of Christ in the Temple

Simon Vouet

Landscape with the Funeral of Phocion

Landscape with the Funeral of Phocion

Nicolas Poussin

Confirmation

Confirmation

Nicolas Poussin

The Baptism of Christ

The Baptism of Christ

Jacques Stella

Landscape with Diogenes

Landscape with Diogenes

Nicolas Poussin

Landscape with Water Mill

Landscape with Water Mill

Claude Lorrain

The pilgrims of Emmaus

The pilgrims of Emmaus

Jacques Stella