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home·artworks·Landscape with Aeneas at Delos
Landscape with Aeneas at Delos by Claude Lorrain

plate no. 1888

Landscape with Aeneas at Delos

Claude Lorrain, 1672

oil, canvasClassicismmythological paintinglandscapearchitecturefigureswatershipstrees
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle gradations, and rendering complex architectural details. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major compositional elements: horizon line, buildings, trees, and figures.

  2. step 02

    Establish the sky with a gradient of blues, blending lighter tones towards the horizon.

  3. step 03

    Block in the distant land and water masses, paying attention to atmospheric perspective by using muted colors and softer edges.

  4. step 04

    Paint the architectural elements, starting with the large temple and then the smaller structures, focusing on accurate proportions and details.

  5. step 05

    Add the trees and foliage, varying the greens and browns to create depth and texture.

  6. step 06

    Paint the figures, paying attention to their poses and drapery.

  7. step 07

    Refine the details, such as the ships, clouds, and highlights on the buildings.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium yellow light · ivory black

Achieve the subtle atmospheric perspective by mixing blues with white and a touch of raw umber. Create the greens for the foliage by mixing blues and yellows, and adjust the tones with browns and white.

techniques

  • ·Glazing
  • ·Atmospheric perspective
  • ·Rendering architectural details
  • ·Blending
  • ·Underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in a flat appearance.
  • →Inaccurate proportions in the architectural elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ultramarine blue, yellow ochre, raw umber, titanium white, burnt sienna, cadmium yellow light, ivory black)
  • ·Turpentine or odorless mineral spirits
  • ·Linseed oil
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife

optional

  • ·Medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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