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home·artworks·Landscape with a Draftsman
Landscape with a Draftsman by Jan Dirksz Both

plate no. 8360

Landscape with a Draftsman

Jan Dirksz Both, 1645

oilBaroquelandscapelandscapetreesfiguresbridgewaterhills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bridge, trees, and figures.

  2. step 02

    Establish the sky with a gradient from light yellow/orange near the horizon to pale blue above.

  3. step 03

    Block in the distant hills and bridge using muted blues and grays to create atmospheric perspective.

  4. step 04

    Paint the large tree on the right side, starting with dark values and gradually adding highlights.

  5. step 05

    Add the water, reflecting the sky and surrounding landscape.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and clothing details.

  7. step 07

    Add details to the foreground foliage and rocks, using a variety of greens and browns.

  8. step 08

    Refine the overall painting, adjusting values and adding final highlights.

color palette

primary · raw umber · titanium white · yellow ochre · ultramarine blue

secondary · burnt sienna · cadmium yellow light · ivory black

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Creating overly saturated colors.
  • →Ignoring the importance of value contrast.
  • →Making the figures too prominent.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·easel

Use a medium-tooth canvas to allow for layering and blending of colors. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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