
plate no. 3644
Jacob van Ruisdael, 1670
Recreating this painting will help students develop skills in atmospheric perspective, rendering water movement, and building form with light and shadow. It also provides practice in creating a believable landscape composition.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the church, waterfall, and trees.
Establish the sky with broad strokes, blending light and dark areas to create cloud formations.
Block in the general shapes of the building and landscape with mid-tone colors.
Begin defining the forms of the rocks and trees, paying attention to the direction of light.
Add details to the church, including windows, roof tiles, and the spire.
Render the waterfall, using white and light blue to capture the movement of the water.
Refine the details of the foreground, adding texture to the rocks and foliage.
Add final highlights and shadows to enhance the sense of depth and realism.
color palette
primary · raw umber · titanium white · ultramarine blue
secondary · yellow ochre · burnt sienna · payne's gray
Mix various shades of brown and gray by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to create warm highlights on the rocks and building. Payne's gray can be used to darken shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for building up layers of paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne