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home·artworks·Landscape. Wind
Landscape. Wind by Pavel Filonov

plate no. 5218

Landscape. Wind

Pavel Filonov, 1907

oil, cardboardRealismlandscapelandscapetreesskycloudsfieldvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main tree.

  2. step 02

    Block in the sky with broad strokes, mixing white, gray, and hints of green and pink.

  3. step 03

    Establish the background trees with dark greens and browns, using a slightly drier brush.

  4. step 04

    Paint the foreground field with a base of burnt sienna and ochre, varying the tones to create depth.

  5. step 05

    Add the main tree, building up layers of dark greens and browns, and highlighting with lighter greens and yellows.

  6. step 06

    Create texture in the foliage using short, broken brushstrokes.

  7. step 07

    Add details to the foreground, such as small plants and grasses.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · burnt sienna · raw umber · titanium white · sap green

secondary · yellow ochre · payne's gray · cadmium yellow light

Mix greens by blending sap green with yellow ochre and white. Achieve earth tones by combining burnt sienna, raw umber, and white in varying proportions. Use Payne's gray to darken colors and create shadows.

techniques

  • ·dry brush texture
  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details, losing the overall impressionistic feel.
  • →Creating overly saturated colors, resulting in a less naturalistic look.
  • →Ignoring the subtle value shifts that create depth.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to aid in creating texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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