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home·artworks·Landscape near Villerville
Landscape near Villerville by Charles-Francois Daubigny

plate no. 9946

Landscape near Villerville

Charles-Francois Daubigny, 1873

oil, canvasRealismlandscapelandscapeskytreeshillscowssea
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in capturing the subtle variations in light and color within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare your canvas with a thin, neutral-toned ground.

  2. step 02

    Lightly sketch the main compositional elements: the horizon line, the hill, the trees, and the placement of the cows.

  3. step 03

    Block in the sky with broad strokes, capturing the overall color and cloud formations.

  4. step 04

    Establish the basic color masses of the landscape, starting with the distant hills and working forward.

  5. step 05

    Begin layering details in the trees and foliage, using varied brushstrokes to create texture.

  6. step 06

    Add the cows and other small details, paying attention to their form and placement within the scene.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · viridian green · cadmium yellow · raw sienna

Achieve the atmospheric sky by mixing ultramarine blue, white, and a touch of burnt umber. Create various greens by mixing yellow ochre, ultramarine blue, and white. Use raw sienna and burnt umber for the earth tones and cows.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·broken color
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated, which can flatten the image.
  • →Neglecting the importance of atmospheric perspective in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, viridian green, cadmium yellow, raw sienna)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags or paper towels

optional

  • ·painting medium (e.g., Liquin)
  • ·retouch varnish
  • ·easel

A medium-textured canvas is recommended for capturing the brushwork. Use a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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