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home·artworks·Landscape near Kalundborg, Zealand
Landscape near Kalundborg, Zealand by Ludvig Kabell

plate no. 5492

Landscape near Kalundborg, Zealand

Ludvig Kabell, 1894

oilRealismlandscapelandscapefarmhousefieldsskycloudstrees
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as layering techniques to create depth and atmosphere in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the farmhouse, horizon line, and major landscape elements.

  2. step 02

    Block in the sky with light blue, gradually adding subtle variations in tone and cloud shapes.

  3. step 03

    Establish the base colors for the fields, using a mix of greens and yellows, and define the distant water.

  4. step 04

    Paint the farmhouse, paying attention to the light and shadow on the walls and roof.

  5. step 05

    Add details to the trees and foliage, using a variety of greens and browns.

  6. step 06

    Paint the foreground elements, such as the rocks and grass, adding texture and detail.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final details, such as the cow and any small details in the landscape.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · cadmium yellow · raw sienna · viridian

Achieve the subtle greens by mixing yellow ochre, ultramarine blue, and white. Use burnt umber and yellow ochre to create the warm tones of the farmhouse and fields. Mix white with ultramarine blue for the sky and distant water.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring atmospheric perspective, making distant objects too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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