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home·artworks·Landscape from Jæren
Landscape from Jæren by Kitty Lange Kielland

plate no. 2627

Landscape from Jæren

Kitty Lange Kielland

oil, canvasRealismlandscapelandscaperiverhillscloudsgrassvegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create realistic landscapes. Students will also learn to create depth through layering and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the river and hills.

  2. step 02

    Block in the sky with light gray and white, suggesting cloud formations.

  3. step 03

    Establish the base colors for the distant hills and foreground, using muted greens and browns.

  4. step 04

    Begin layering the river, using variations of gray and blue to represent reflections and depth.

  5. step 05

    Add details to the foreground vegetation with short, broken brushstrokes, varying the greens and browns.

  6. step 06

    Develop the middle ground with more defined shapes and textures, including the suggestion of a path or road.

  7. step 07

    Refine the cloud formations with subtle variations in value and color.

  8. step 08

    Add final details and highlights to create a sense of realism and depth.

color palette

primary · titanium white · yellow ochre · burnt umber · sap green

secondary · ultramarine blue · raw sienna · payne's gray

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Create grays by mixing white, burnt umber, and a touch of ultramarine blue. Use white to lighten colors and create atmospheric perspective.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Using too much bright green, resulting in an unnatural appearance.
  • →Failing to create a sense of atmospheric perspective, making the distant hills appear too sharp.
  • →Not varying the brushstrokes enough, resulting in a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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