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home·artworks·Landscape at Mornex, Haute Savoie
Landscape at Mornex, Haute Savoie by Camille Corot

plate no. 9047

Landscape at Mornex, Haute Savoie

Camille Corot, 1842

oil, canvasRealismlandscapelandscapefigurestreeshillsskymountains
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering and color temperature changes. Students will also practice rendering figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a neutral ground.

  2. step 02

    Sketch the basic composition, focusing on the horizon line and placement of major elements like trees and figures.

  3. step 03

    Block in the sky with a thin wash of light blue and yellow, creating a soft, atmospheric effect.

  4. step 04

    Establish the distant mountains with muted blues and purples, using lighter values for those further away.

  5. step 05

    Paint the mid-ground hills and fields, varying the greens and browns to create depth and interest.

  6. step 06

    Add the darker values of the trees, paying attention to the shapes and textures of the foliage.

  7. step 07

    Paint the figures, using simple shapes and muted colors to integrate them into the landscape.

  8. step 08

    Add final details, such as highlights on the trees and figures, and subtle variations in the sky and fields.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · raw sienna · alizarin crimson

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Neglecting the importance of value contrast in creating depth.
  • →Making the figures too prominent, disrupting the harmony of the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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