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home·artworks·Lambs and sheep at the fountain
Lambs and sheep at the fountain by Filippo Palizzi

plate no. 3486

Lambs and sheep at the fountain

Filippo Palizzi, 1857

oilRealismanimal paintingsheepfigurelandscapetreeswateranimals
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, particularly the wool of the sheep, and understanding atmospheric perspective to create depth in a landscape. It also provides practice in depicting figures within a complex scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, sheep, and landscape elements.

  2. step 02

    Establish the main value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky and distant landscape with broad strokes, paying attention to color temperature.

  4. step 04

    Begin building up the forms of the sheep, using layers of color to create the texture of the wool.

  5. step 05

    Define the details of the figure, paying attention to the folds of the clothing and the expression on the face.

  6. step 06

    Add details to the trees and foliage, using a variety of greens and browns.

  7. step 07

    Refine the highlights and shadows, adding depth and dimension to the painting.

  8. step 08

    Add the final details, such as the water flowing from the fountain and the small flowers in the foreground.

color palette

primary · raw umber · burnt sienna · ultramarine blue · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson · sap green

Mix various browns and grays by combining the primary colors. Use white to lighten values and create highlights. Mix greens by combining blues and yellows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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