apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lake Sevan and the Isle at night
Lake Sevan and the Isle at night by Gevorg Bashindzhagian

plate no. 3307

Lake Sevan and the Isle at night

Gevorg Bashindzhagian, 1884

oil, canvasRealismmarinalakeislandnightcloudswatermoonlight
some experience helpful

Recreating this painting will help students understand how to depict atmospheric perspective and subtle value changes in low-light conditions. Students will also practice blending techniques to create smooth transitions and soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark underpainting (e.g., burnt umber or black).

  2. step 02

    Sketch the basic shapes of the island, horizon line, and cloud formations.

  3. step 03

    Block in the darkest areas of the island and the sky using a dark blue or green.

  4. step 04

    Begin layering lighter tones to create the moonlight effect on the water and the clouds.

  5. step 05

    Use soft blending techniques to smooth the transitions between values.

  6. step 06

    Add details to the island, such as subtle variations in color and texture.

  7. step 07

    Refine the highlights on the water to create the illusion of shimmering moonlight.

  8. step 08

    Add final touches to the clouds, adjusting their shapes and values as needed.

color palette

primary · Prussian blue · Ivory black · Titanium white

secondary · Burnt umber · Yellow ochre

Mix Prussian blue and ivory black for the dark base. Add titanium white to create lighter shades for the moonlight and clouds. Use burnt umber to add warmth to the island and clouds.

techniques

  • ·Glazing
  • ·Scumbling
  • ·Blending
  • ·Atmospheric perspective
  • ·Value studies

common pitfalls

  • →Using too much white, which can make the painting look chalky.
  • →Failing to create enough contrast between the dark and light areas.
  • →Over-blending, which can result in a flat, lifeless painting.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (Prussian blue, Ivory black, Titanium white, Burnt umber, Yellow ochre)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a canvas with a smooth surface to facilitate blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy