apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady Writing a Letter with Her Maid
Lady Writing a Letter with Her Maid by Johannes Vermeer

plate no. 9326

Lady Writing a Letter with Her Maid

Johannes Vermeer, 1670

oil, canvasBaroquegenre paintingfiguresinteriorwindowpaintingtablefloor
some experience helpful

Recreating this painting will help students develop skills in rendering realistic light and shadow, as well as creating depth through atmospheric perspective and accurate proportions of figures in an interior space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures, furniture, and architectural elements.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure and light source.

  3. step 03

    Develop the background elements, such as the wall, window, and painting, paying attention to subtle color variations and details.

  4. step 04

    Refine the figures, focusing on accurate anatomy, clothing folds, and facial expressions.

  5. step 05

    Add details to the table, rug, and other objects in the foreground, using small brushes and precise strokes.

  6. step 06

    Glaze thin layers of color to build up depth and richness in the shadows and highlights.

  7. step 07

    Pay close attention to the light and shadow patterns, adjusting values and colors as needed to create a sense of realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · raw umber · ivory black · titanium white

secondary · ultramarine blue · burnt sienna · cadmium red light

Achieve the subtle grays and browns by mixing ivory black, raw umber, and titanium white. Use glazes of burnt sienna and cadmium red light to create the rich tones of the rug.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of figures and objects.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations in the light and shadow.
  • →Not establishing a strong value structure before adding color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →paint like vermeer →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne