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home·artworks·Lady working on the terrace
Lady working on the terrace by Cristiano Banti

plate no. 3796

Lady working on the terrace

Cristiano Banti, 1882

oil, panelRealismgenre paintingfigureterraceskychairflowersbuilding
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds, capturing atmospheric perspective in the sky, and painting convincing skin tones in natural light. It also provides practice in depicting complex forms like the chair and the figure's hands.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, chair, and architectural elements.

  2. step 02

    Block in the sky with light blues and whites, establishing the overall value range.

  3. step 03

    Establish the basic tones of the figure's skin, dress, and hair, focusing on accurate values.

  4. step 04

    Paint the chair using a warm brown, paying attention to the light and shadow on its form.

  5. step 05

    Add the details of the figure's face and hands, refining the shapes and values.

  6. step 06

    Develop the details of the dress, including the folds and highlights.

  7. step 07

    Paint the flowers and plants in the foreground, using small brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · titanium white · ultramarine blue · raw umber · ivory black

secondary · cadmium yellow · alizarin crimson · yellow ochre

Mix various shades of blue and white for the sky, adding small amounts of yellow ochre or raw umber to create subtle variations. Skin tones can be achieved by mixing white, yellow ochre, alizarin crimson, and a touch of raw umber.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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