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home·artworks·Lady with a Fan
Lady with a Fan by Giovanni Fattori

plate no. 3337

Lady with a Fan

Giovanni Fattori, 1866

oil, canvasRealismportraitportraitfiguredressfanjewelrychair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to depict fabric and textures with subtle variations in value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the background with a thin wash of muted gray, paying attention to subtle value shifts.

  3. step 03

    Block in the main areas of the skin tones using a limited palette of earth tones and white.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and subtle shading to create form.

  5. step 05

    Paint the dress using a mix of black and dark browns, adding highlights to suggest the folds and texture of the fabric.

  6. step 06

    Add details such as the jewelry, fan, and chair, paying attention to their relative size and placement.

  7. step 07

    Refine the edges and details throughout the painting, blending and softening where necessary.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Skin tones can be achieved by mixing white, yellow ochre, and a touch of burnt sienna or alizarin crimson. The dress is primarily black with subtle variations created by adding raw umber or burnt sienna.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or unnatural skin tones.
  • →Lack of depth and dimension in the dress.
  • →Ignoring subtle value shifts in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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