apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady Pauline Garcia-Viardot
Lady Pauline Garcia-Viardot by Achille Devéria

plate no. 3430

Lady Pauline Garcia-Viardot

Achille Devéria, 1840

lithographyRealismportraitportraitfiguredressflowerstreefoliage
some experience helpful

Recreating this painting will help students develop skills in rendering form with hatching and cross-hatching, as well as creating subtle tonal variations to suggest depth and texture. Students will also practice capturing likeness and creating a focal point through contrast.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Establish the darkest areas of the painting with initial hatching, focusing on areas like the dress folds and background shadows.

  3. step 03

    Build up the mid-tones using finer hatching and cross-hatching, gradually adding layers to create depth.

  4. step 04

    Render the facial features with careful attention to detail, using subtle tonal variations to capture the likeness.

  5. step 05

    Add details to the dress, including the lace collar and buttons, using precise lines and shading.

  6. step 06

    Develop the background foliage and tree with varying line weights and densities to create depth and texture.

  7. step 07

    Refine the overall tonal balance, adding highlights and shadows as needed to enhance the form and create a sense of light.

  8. step 08

    Add final details such as the flowers in the hand and any stray hairs or wrinkles.

color palette

primary · ivory black · raw umber

secondary · sepia · titanium white

Mix ivory black with raw umber to create a range of neutral grays. Use titanium white sparingly to create highlights and subtle tonal variations.

techniques

  • ·hatching
  • ·cross-hatching
  • ·tonal shading
  • ·line weight variation
  • ·rendering form

common pitfalls

  • →Applying too much pressure when hatching, resulting in harsh lines.
  • →Failing to create enough contrast, leading to a flat and lifeless image.
  • →Overworking certain areas, resulting in a muddy or overworked appearance.
  • →Ignoring the overall tonal balance, leading to a disjointed composition.

materials

surface · smooth drawing paper

required

  • ·smooth drawing paper
  • ·graphite pencils (HB, 2B, 4B)
  • ·kneaded eraser
  • ·pencil sharpener
  • ·ruler
  • ·tortillon or blending stump
  • ·fixative spray

optional

  • ·mechanical pencil
  • ·eraser shield
  • ·drawing board

Use a variety of graphite pencils to achieve a full range of tones. Work in layers, gradually building up the values to create depth and form.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy