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home·artworks·Lady on a Balcony, Koreiz
Lady on a Balcony, Koreiz by Nikolay Bogdanov-Belsky

plate no. 8584

Lady on a Balcony, Koreiz

Nikolay Bogdanov-Belsky, 1914

oilRealismportraitportraitbalconysealandscapefigureflowers
experienced study

Recreating this painting will help students develop skills in portraiture, capturing light and shadow, and rendering textures like fabric and foliage. It also provides practice in creating depth and atmosphere in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, chair, balcony, and landscape.

  2. step 02

    Establish the basic color blocks for the background: sky, sea, and distant land.

  3. step 03

    Block in the main colors of the figure: skin tones, dress, and shawl.

  4. step 04

    Develop the details of the chair, paying attention to the patterns and textures.

  5. step 05

    Refine the facial features and add highlights to the figure's clothing and jewelry.

  6. step 06

    Add details to the balcony and the surrounding landscape, including the flowers and foliage.

  7. step 07

    Work on the light and shadow, especially on the balcony floor and the figure.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · ultramarine blue · cadmium red · yellow ochre

secondary · burnt sienna · viridian green · alizarin crimson · raw umber

Mix various shades of blue and white for the sky and sea. Use red and yellow ochre for the skin tones, adjusting with white for highlights and burnt sienna for shadows. Mix greens with blue and yellow, and add white for highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·impasto
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Ignoring the subtle color variations in the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color charts

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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