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home·artworks·Lady Mary Wortley Montagu with Her Son, Edward Wortley Montagu, and Attendants
Lady Mary Wortley Montagu with Her Son, Edward Wortley Montagu, and Attendants by Jean Baptiste Vanmour

plate no. 5772

Lady Mary Wortley Montagu with Her Son, Edward Wortley Montagu, and Attendants

Jean Baptiste Vanmour, 1717

oil, canvasBaroqueportraitfiguresportraitinteriorlandscapecarpetcurtain
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering clothing details, as well as understanding atmospheric perspective in the background landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background landscape and the interior elements.

  3. step 03

    Begin refining the figures, starting with the faces and then moving on to the clothing.

  4. step 04

    Add details to the carpet and other decorative elements.

  5. step 05

    Work on the lighting and shadows to create depth and dimension.

  6. step 06

    Refine the details of the faces and clothing, paying attention to the textures and patterns.

  7. step 07

    Adjust the colors and values as needed to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and details.

color palette

primary · ivory black · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · titanium white · gold

Mix various shades of brown and gray for the background and interior. Use white to lighten colors and create highlights. Mix blues and whites for the sky.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or saturated colors
  • →Lack of depth in the background
  • →Poor rendering of fabric textures

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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