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Lady in Yellow by Thomas Dewing

plate no. 6517

Lady in Yellow

Thomas Dewing, 1888

oilRealismportraitfigureportraitdresschairwomandark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing subtle skin tones and rendering fabric with loose, expressive brushstrokes. It also provides practice in creating depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of the dress with a mid-tone yellow.

  4. step 04

    Begin to build up the highlights and shadows in the dress, using lighter and darker shades of yellow.

  5. step 05

    Carefully paint the skin tones, paying attention to the subtle variations in color.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth.

  7. step 07

    Refine the details of the dress and chair, adding texture and depth.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · yellow ochre · ivory black · titanium white

secondary · burnt umber · raw sienna · alizarin crimson

Mix yellows with white for highlights, and add small amounts of burnt umber or black for shadows. Use alizarin crimson and white to create the skin tones, and add small amounts of yellow or umber to adjust the color.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·color blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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