apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady in white dress holding flowers
Lady in white dress holding flowers by George Elgar Hicks

plate no. 3797

Lady in white dress holding flowers

George Elgar Hicks, 1880

oilRealismportraitfiguredressflowersportraitfoliagelandscape
some experience helpful

Recreating this painting will help students practice loose brushwork and capturing subtle variations in light and shadow to create form. It's also a good exercise in simplifying complex backgrounds and focusing on the figure.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and the background elements.

  2. step 02

    Establish the overall color scheme with a thin wash of color.

  3. step 03

    Block in the main areas of light and shadow on the figure and dress.

  4. step 04

    Begin adding details to the face and hands, paying attention to proportions.

  5. step 05

    Develop the background foliage with loose, expressive brushstrokes.

  6. step 06

    Refine the folds and highlights in the dress to create a sense of volume.

  7. step 07

    Add details to the flowers, using small brushes and vibrant colors.

  8. step 08

    Adjust the overall values and colors to create a harmonious composition.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · alizarin crimson · sap green

Mix white with small amounts of umber and ochre to create the subtle tones of the dress. Use crimson and white for the flowers. Mix greens and browns for the foliage.

techniques

  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Getting the proportions of the figure wrong.
  • →Making the dress too bright and flat.
  • →Creating a background that is too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy