apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ladies Concert at the Philharmonic Hall
Ladies Concert at the Philharmonic Hall by Francesco Guardi

plate no. 4279

Ladies Concert at the Philharmonic Hall

Francesco Guardi, 1782

oil, canvasBaroquegenre paintinginteriorfiguresarchitecturechandeliersaudienceconcert
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and understanding atmospheric perspective to create depth. It also provides practice in rendering architectural details and capturing the overall mood of a grand interior.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and layout of the room.

  2. step 02

    Block in the large shapes of the architecture, including the walls, ceiling, and stage area.

  3. step 03

    Establish the overall value structure by applying a thin wash of color to indicate light and shadow.

  4. step 04

    Start adding the figures, focusing on their general shapes and positions rather than individual details.

  5. step 05

    Refine the architectural details, such as the chandeliers, moldings, and decorations.

  6. step 06

    Develop the figures further, adding more detail to their clothing and faces.

  7. step 07

    Pay attention to the lighting and create highlights and shadows to give the scene depth and dimension.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red light

Achieve the muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use yellow ochre and cadmium red light sparingly for highlights and accents.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima
  • ·grisaille

common pitfalls

  • →Getting lost in the details too early
  • →Ignoring the overall value structure
  • →Failing to establish a strong sense of perspective
  • →Overworking the figures and making them look stiff
  • →Not creating enough atmospheric perspective to suggest depth

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, raw sienna, ivory black, yellow ochre, titanium white, cadmium red light)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)
  • ·Easel

Use a canvas with a fine weave to allow for detailed brushwork. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne